In sound studies and musicology, noise is often viewed negatively, seen as disruptive and undesirable within soundscapes. Historically, it has been labeled as polluting, chaotic, and even sinful. Despite efforts to eradicate or control it through audio technology and music theory, noise persists. This paper challenges these traditional views by examining ethnographic recordings from the past decade that capture complex conflicts in Thailand, offering a rich source for exploring how noise functions in various contexts of conflict and change.

In Thailand, noise plays a significant role in social and political movements, often reflecting societal tensions and unrest. The 'Noisescape' recordings from Thailand capture sounds from protests, religious ceremonies, street markets, and other public spaces, showing how noise intersects with cultural, technological, and socio-political dynamics. These recordings reveal that noise is not merely a background disturbance but a vital part of the acoustic environment, shaped by and shaping the local context.

Analyzing these Thai 'Noisescape' recordings, the paper uncovers the multifaceted roles of noise in human societies, especially in relation to cultural, technological, and socio-political dynamics. This approach broadens our understanding of noise beyond its traditional negative framing and highlights its importance as an essential element of our auditory culture. The study suggests that noise, rather than being a mere byproduct of disorder, can be a meaningful component of cultural expression and social interaction, reflecting the complexities of human experience.

By acknowledging the persistent presence and impact of noise in our auditory environments, particularly within Thailand's diverse and dynamic context, we can better appreciate its role in shaping cultural and societal narratives. In Thailand, noise is a significant part of everyday life, appearing in bustling markets, vibrant street performances, religious ceremonies, and political protests. These soundscapes are not just background noise but integral to the social and cultural fabric, reflecting the complexities and vibrancy of Thai society. This paper invites scholars and practitioners to reconsider the place of noise within the broader context of auditory culture, focusing on its functions in specific cultural settings like Thailand. It encourages a shift towards a more inclusive and comprehensive understanding of sound in human life, recognizing noise as a meaningful component of cultural expression and social interaction. This approach advocates for a more nuanced perspective on noise, not as a negative element to be eliminated but as a critical aspect of our auditory landscape that deserves greater scholarly attention and appreciation.