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PGVIM International Symposium 2026 

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We invite papers and presentations addressing (but not limited to) the following sub-themes:

  • The role of curiosity in musical listening, learning, and creative discovery

  • Risk and courage in performance — from interpretation to artistic expression

  • Experimental and exploratory approaches to composition and improvisation

  • Pedagogies that place inquiry and imagination at the center of musical training

  • Questioning inherited repertoire, canons, and musical histories

  • Deep listening across unfamiliar musical traditions and practices

  • Practice as inquiry — artistic research and the courage to question from within

CALL FOR PAPERS

"Curiosity and Courage"

At its heart, music is a practice of questions. To listen deeply is already to be drawn into expectation and surprise — into the pull of what comes next, and the meaning that stirs when sound moves differently than we anticipated. It is what leads us to look at the music we have inherited and ask how it came to be, and what it still has left to say. This same curiosity is what drives us to follow a musical idea into territory it has never reached. And it is what compels us to discover in another person a capacity for expression they did not know they carried. Whatever our relationship to music — however we encounter it, question it, create it, or transmit it — curiosity is what keeps that first impulse alive long enough to matter.


But curiosity alone does not complete the act. There comes a point in every meaningful engagement with music where understanding must give way to sound — where it is no longer enough to know, and something more personal is required. Analysis must become interpretation. Knowledge must become expression. And what we have inherited, questioned, and imagined must finally be offered — to another person, to an audience, to the world — in a form that can be heard and felt. Courage, in this sense, is not about boldness or drama. It is the quieter willingness to act on what we know, to offer something of ourselves, and to stand by it.


We invite contributions from around the globe that explore these qualities across the full breadth of musical life — in the way music is made and imagined, in the way it is shared and received, in the way it is passed between people, and in the questions we bring to the music we have inherited — and to the music still waiting to be made.

Submission guidelines:

  • Abstract (max 300 words)

  • Brief biography (max  100 words)

Key dates:

  • Submission deadline: 28 June 2026

  • Notification of acceptance: 20 July 2026

  • Symposium dates: 19 – 22 August 2026

Copyright © PGVIS2026

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Princess Galyani Vadhana Institute of Music, 
2010 Arun Amarin Rd, Bang Yi Khan, Bang Phlat, Bangkok 10700 THAILAND

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